An Interview with Claes Thorberntsson by Beata Moore
Claes Thorberntsson is a professional photographer. He was born and raised in Uddevalla Bohuslän. He bought his first camera in 2009 and since 2015 runs his own full time photographic business since 2015. The proximity and love for the Bohu coast meant that he quickly found his subjects around the rugged cliffs, where the waves often caress the polished slabs. Claes' style depicts what he sees in nature, in a graphically well-thought-out way. He likes strong compositions and to use water to create lines and patterns in an artistic way. His love for nature, and especially the barren and bare landscape, as well a mountain environments and forests, is visible in his images... read more.
Selection of March 2023: Dark Rectangles of Fir Trees by Jean Discours
It took me 4 years to create this image. The Chambons Forest is an ancient forest located in the Ardèche mountains in France. It has not been cleared for nearly 1000 years, which makes it spectacular. read more.
Selection of February 2023: The three fishermen by Brigitte Bourger
Having the vision of the message that we want to convey to the viewer is a challenge for the photographer; giving him the opportunity to put himself in his place, to feel the same emotions is the ultimate goal. And this is what makes the difference between the photographs. I am particularly attached to the intention and to the freedom of interpretation which then gives all its meaning to the final result. read more.
Talk #12 In Praise of Prints
The digital world has revolutionised how photographers take, process and view their images. Fascinated by endless ways of editing and sharing on social media, many photographers almost forgotten about the beauty and power of printing. It is a shame, as prints are permanent, they can easily be shown to others, they don’t need electricity, and most importantly, they represent colours, tones and all other characteristics of the images, as the photographer wishes them to be seen... read more.
Selection of January 2023: Watermountain by Julia Redl
The rocks plunged steeply up to 220 m into the depth. Because of the strong wind, it was almost impossible to get to the edge of the cliff, and I could only see the birds as small black dots through the telephoto lens. While lying down and looking into the depth, I then noticed the white crests of the waves running out on the black beach. At that moment I also had my subject... read more.