8 Years of Photographic Excellence

   Terra Quantum has been launched with the goal of gathering the most beautiful pictures of our planet and of providing an international reference for exceptional landscape photography.
   To achieve this excellence, a permanent jury carefully considers each photo that is submitted to decide whether it will be published on the site. 8 years later we are happy to welcome a large community with 400 photographers from around the world who have published a total of around 1500 images; each of them has been reviewed by the Terra Quantum international jury.


Selection of April 2024: Abyss I by Brigitte Bourger
Jun 23, 2024

"Abyss I" has garnered numerous awards, including first prize in the nature category at PX3 Paris...

Talk #15: Total Immersion by Beata Moore
Jun 23, 2024

Photography for many amateurs and professionals quickly becomes a passion. A camera is a very powerful tool that enables us to capture a moment in time and a place, but also allows us to express more, our creativity and vision. Cameras have always been around me since an early age, and as I spent all my summer holidays by the sea, no wonder that the sea holds the biggest fascination for me...

Selection of March 2024: Three Souls by David Frutos Egea
May 20, 2024

This photo is a product of discovery, of visiting again and again a vast and visually rich locati...

An interview with Martin Rak by Beata Moore
May 19, 2024

Martin Rak is a renowned landscape and travel photographer based in Prague, Czechia. He took to photography at an early age, but his interest in landscape photography started in 2009. Martin thrives on diversity, from grand vistas to intimate scenes. His colour photographs make great use of light and fog, but he also creates striking black&white images. Martin’s work has been published in vari...

Selection of February 2024: Aqueous Echoes of Autumn by Tania Malkin
Apr 28, 2024

The shoot posed some challenges due to the low sea fog that occurred on the day limiting how high...

Selection of January 2024: Shakingtree © by Julia Redl
Mar 31, 2024

While looking at the rushing river in the gorge, I noticed the small branch, which surprisingly h...


IN 1968 I DROVE WITH SOME FRIENDS along old Highway 163 south of Moab where I noticed a sign for a road heading west to the Needles and Anticline Overlooks. Passing such road signs or seeing interesting trails or roads on a map filled me with the desire to explore these unknown places, and I promised myself I would return to the Canyon Country and spend my life seeking out these hidden treasures of silence, stone, and sunburnt majesty.

Now, forty years later, I've done pretty well. I've run all the rivers many, many times, risking life and limb in the process, I hiked hundreds of narrow defiles and swam in water that was dangerously frigid. I visited many canyons where water, rushing from springs, walls, waterfalls and seeps was the main ingredient, creating the lush sandstone temples and cathedrals that dazzle the mind and heart. I hiked with a 45 pound camera pack hundreds, perhaps thousands of miles. I gazed into the abyss and it gazed into me.

I marveled at the work and artistry of the ancients, whose remnants add so much mystery and mood to an already unfathomable landscape. I crawled on my hands and knees countless times, every time thinking of Ed Abbey’s admonishment to do so to really bond with the Colorado Plateau desert. Some people have seen more than I, but not many.

The Canyons of Utah have been photographed a great deal. Inspired by the younger generation, many of whom see photography as a more painterly and impressionistic art form than my generation, I’ve experimented a little with a few of the images here. I don’t believe that the beauty of Utah Canyons needs to be improved by photography but I do believe that the Canyons can be interpreted by photography in different ways.

One thing has not changed. The Canyons of Utah are under constant attack. The ethereal light that bathes them in an other-worldly glow is weakened and strangled at times by dirty air coming from a variety of man-made sources. People now come to these places with no thought of their beauty and fragility. They are unprepared to accept the sand stone majesty and the scope of a landscape so much bigger and more complex than anything they have encountered in their 21st century life.

As we enter the second decade of the new century, there are some signs of hope. Local politicians have in some cases, seen that wilderness and national parks are not liabilities but assets, and that many who initially oppose such land designations find themselves changing their mind as time passes. I believe many of my neighbors in Southern Utah who say they love the land as much as anyone and want to save it unsullied for future generations to enjoy.

Tom Till