Selection of January 2022: Bridge of Sighs by Daniel Laan
I love that ethereal feeling of high fantasy. As I'm inspired by 19th century paintings, the collectible card-game Magic: The Gathering and media like The Lord of the Rings and A Game of Thrones, I pursue... read more.
Talk # 8 Equipment Matters by Beata Moore
‘What a beautiful photo, you must have a very good camera’! This is definitely not the best way to compliment a photographer! Has anyone said to a writer, ‘you must have a fantastic typewriter’ or to a chef, ‘you must have a very good oven’? If equipment is not important, why we photographers talk so much, and spend so much money on cameras and lenses? Obviously, it is a generalisation, as not all photographers are obsessed with the equipment, but it is fair to say that it plays an important part for many of us. read more.
Selection of December 2021: Jewel by Szabo Zsolt Andras
This photograph was taken in October 2019 in the Retezat Mountains, Romania. It was a cold (but not very cold for the season and altitude) autumn morning and I hiked more than an hour in the dark from the tent to get to the Bucura peak (2433m alt.) in time before sunrise. My plan was... read more.
Selection of November 2021: Social Distancing by Fabrice Petruzzi
I was thinking about taking this photo for a long time; I had visited this place a year before, in the summer. I knew that the tree in the middle hill did not give much contrast. read more.
An Interview with Fred Bucheton by Beata Moore
Fred Bucheton is an IT systems engineer living in Paris. In 2009, he started learning photography and its different techniques, the self-taught route. He has been fascinated by the mountains since childhood, and as a result, he developed a strong passion for hiking, and more recently, mountaineering. Fred is passionate about exploring new locations and watching light creating ethereal atmospheres. Over the last few years he has enjoyed travelling to and photographing some breathtaking locations in many countries. More recently, his photographic approach has changed, Fred no longer plans shooting vistas, but is interested in more spiritual, intimate scenes. read more.